Fichiers : Visuels pour des accords d’instruments à cordes
J’ai réalisé des visuels PDF pour les accords courants de 3 instruments à cordes : la guitare, le ukulélé et la cigar box (accordée comme un banjo).
J’ai produit ces documents avec LaTeX et le package guitarchordschemes. Vous pouvez télécharger les fichiers sources en bas de cette page.
Je les mets donc ici à disposition, en cliquant sur les images png, vous pourrez télécharger les PDF.
La guitare
La cigar box (accordage banjo)
Le ukulélé
\documentclass[a3paper,french]{article}
%\usepackage{fourier}
\usepackage{ebgaramond}
\usepackage{guitarchordschemes}
\usepackage[pagecolor=black!90!green!60]{pagecolor}
\usepackage{pgfornament}
\usepackage[margin=2cm]{geometry}
\usepackage{babel}
\let\oldsharp\sharp
\renewcommand\sharp{\scalebox{2}{\oldsharp}}
\begin{document}
\pagestyle{empty}
% {\Large $\Hflat$}
%$\phantom{\flat}$
\color{white}
\begin{center}\Huge\bfseries\fontsize{45pt}{76pt}\selectfont
\pgfornament[height=3cm,ydelta=-10pt]{35}\hfill \scshape Accords de Guitare \hfill\pgfornament[height=3cm,ydelta=-10pt]{36}
\end{center}
\vspace*{0.5cm}
\setchordscheme{
chord-frets = 4 ,
rotate=270,
x-unit = 0.45cm,
y-unit = 0.5cm,
name-format = {\huge\bfseries},
name-distance = {0pt},
line-width = 2pt,
finger-radius = .25pt
}
\begin{center}
\begin{tabular}{cccccccc}
\chordscheme[
name = A ,
finger = {2/4,2/3,2/2},
ring = {5,1},
mute = {6}
]&
\chordscheme[
name = A7 ,
finger = {2/4,2/2},
ring = {5,3,1},
mute = {6}
]&
\chordscheme[
name = Am ,
finger = {2/4,2/3,1/2},
ring = {5,1},
mute = {6}
]&
\chordscheme[
name = Am7 ,
finger = {2/4,1/2},
ring = {5,3,1},
mute = {6}
]&
\chordscheme[
name = A\sharp ,
position = 6,
barre = 1/1-6,
finger= {3/5,3/4,2/3}
]&
\chordscheme[
name = A\sharp 7 ,
position = 6,
barre = 1/1-6,
finger= {3/5,3/4,2/3,4/2}
]&
\chordscheme[
name = A\sharp m ,
position = 6,
barre = 1/1-6,
finger= {3/5,3/4}
]&
\chordscheme[
name = A\sharp m7 ,
position = 6,
barre = 1/1-6,
finger= {3/5,3/4,4/2}
]
\\[4cm]
\chordscheme[
name = B ,
barre = 2/1-5,
mute = 6,
finger = {4/4,4/3,4/2}
]&
\chordscheme[
name = B7 ,
barre = 2/1-5,
mute = 6,
finger = {4/4,4/2}
]&
\chordscheme[
name = Bm ,
barre = 2/1-5,
mute = 6,
finger = {4/4,4/3,3/2}
]&
\chordscheme[
name = Bm7 ,
barre = 2/1-5,
mute = 6,
finger = {4/4,3/2}
]&
\chordscheme[
name = C ,
finger = {3/5,2/4,1/2},
ring={3,1},
mute = {6}
]&
\chordscheme[
name = C7 ,
finger = {3/5,2/4,3/3,1/2},
ring={1},
mute = {6}
]&
\chordscheme[
name = Cm ,
position = 3,
barre = 1/1-5,
finger = {3/4,3/3,2/2},
mute = 6
]&
\chordscheme[
name = Cm7 ,
position = 3,
barre = 1/1-5,
finger = {3/4,2/2},
mute = 6
]\\[4cm]
\chordscheme[
name = C\sharp ,
position = 4,
barre = 1/1-5,
finger = {3/4,3/3,3/2},
mute = 6
]&
\chordscheme[
name = C\sharp 7 , position = 4,
barre = 1/1-5,
finger = {3/4,3/2},
mute = 6
]&
\chordscheme[
name = C\sharp m ,
position = 4,
barre = 1/1-5,
finger = {3/4,3/3,2/2},
mute = 6
]&
\chordscheme[
name =C\sharp m7,
position = 4,
barre = 1/1-5,
finger = {3/4,2/2},
mute = 6
]&
\chordscheme[
name = D ,
finger = {2/3,3/2,2/1},
ring={4},
mute = {6,5}
]&
\chordscheme[
name = D7,
finger = {2/3,1/2,2/1},
ring={4},
mute = {6,5}
]
&
\chordscheme[
name = Dm ,
finger = {2/3,3/2,1/1},
ring={4},
mute = {6,5}
]&
\chordscheme[
name = Dm7 ,
finger = {2/3,1/2,1/1},
ring={4},
mute = {6,5}
]\\[4cm]
\chordscheme[
name = D\sharp ,
position = 6,
barre = 1/1-5,
finger = {3/4,3/3,3/2},
mute = 6
]&
\chordscheme[
name = D\sharp 7 , position = 6,
barre = 1/1-5,
finger = {3/4,3/2},
mute = 6
]&
\chordscheme[
name = D\sharp m ,
position = 6,
barre = 1/1-5,
finger = {3/4,3/3,2/2},
mute = 6
]&
\chordscheme[
name =D\sharp m7,
position = 6,
barre = 1/1-5,
finger = {3/4,2/2},
mute = 6
]
&
\chordscheme[
name = E ,
finger = {2/5,2/4,1/3},
ring={6,2,1}
]&
\chordscheme[
name = E7 ,
finger = {2/5,2/4,1/3,3/2},
ring={6,1}
]
&
\chordscheme[
name = Em ,
finger = {2/5,2/4},
ring={6,3,2,1}
]&
\chordscheme[
name = Em7 ,
finger = {2/5,2/4,3/2},
ring={6,3,1}
]\\[4cm]
\chordscheme[
name = F ,
barre = 1/1-6,
finger= {3/5,3/4,2/3}
]&
\chordscheme[
name = F7,
barre = 1/1-6,
finger= {3/5,3/4,2/3,4/2}
]&
\chordscheme[
name = Fm,
barre = 1/1-6,
finger= {3/5,3/4}
]&
\chordscheme[
name = Fm7,
barre = 1/1-6,
finger= {3/5,3/4,4/2}
] &
\chordscheme[
name = G ,
finger = {3/6,2/5,3/1},
ring={4,3,2}
]&
\chordscheme[
name = G7 ,
finger = {3/6,2/5,1/1},
ring={4,3,2}
]
&
\chordscheme[
name = Gm ,
position = 3,
barre = 1/1-6,
finger= {3/5,3/4}
]&
\chordscheme[
name = Gm7 ,
position = 3,
barre = 1/1-6,
finger= {3/5,3/4,4/2}
]\\[4cm]
&
&
\chordscheme[
name = G\sharp ,
position = 4,
barre = 1/1-6,
finger= {3/5,3/4,2/3}
]&
\chordscheme[
name = G\sharp 7,
position = 4,
barre = 1/1-6,
finger= {3/5,3/4,2/3,4/2}
]&
\chordscheme[
name = G\sharp m,
position = 4,
barre = 1/1-6,
finger= {3/5,3/4}
]&
\chordscheme[
name = G\sharp m7,
position = 4,
barre = 1/1-6,
finger= {3/5,3/4,4/2}
]
&&
\\[4cm]
\end{tabular}
\end{center}\vspace*{-3cm}
\begin{center}
\pgfornament[height=3cm,symmetry=h,ydelta=-40pt]{35}\hfill \huge \itshape Correspondance A/La, B/Si, C/Do, D/Ré, E/Mi, F/Fa, G/Sol. \hfill \pgfornament[height=3cm,symmetry=h,ydelta=-40pt]{36}
\end{center}
\end{document}
%%% Local Variables:
%%% mode: latex
%%% TeX-engine: lualatex
%%% TeX-master: t
%%% End:
LaTeX
\documentclass[a3paper,french]{article}
\usepackage{ebgaramond}
%\usepackage[charter]{mathdesign}
\usepackage{guitarchordschemes}
\usepackage[pagecolor=black!80]{pagecolor}
\usepackage{pgfornament}
\usepackage[margin=2cm]{geometry}
\usepackage{babel}
\let\oldsharp\sharp
\renewcommand\sharp{\scalebox{2}{\oldsharp}}
\begin{document}
\pagestyle{empty}
%{\Large $\Hflat$}
%$\phantom{\flat}$
\color{white}
\begin{center}\Huge\bfseries\fontsize{55pt}{76pt}\selectfont
\pgfornament[height=3cm,ydelta=-10pt]{37}\hfill \scshape Accords de Ukulélé \hfill\pgfornament[height=3cm,ydelta=-10pt]{38}
\end{center}
\vspace*{0.5cm}
\setchordscheme{
strings = 4,
chord-frets = 4 ,
tuning = {A,E,C,G},
rotate=270,
x-unit = 0.55cm,
y-unit = 0.9cm,
name-format = {\huge\bfseries},
name-distance = {0pt},
line-width = 2pt,
finger-radius = .25pt
}
\begin{center}
\begin{tabular}{cccccccc}
\chordscheme[
name = A ,
finger = {2/4,1/3},
ring = {2,1}
]&
\chordscheme[
name = A7 ,
finger = {1/3},
ring = {4,2,1}
]&
\chordscheme[
name = Am ,
finger = {2/4},
ring = {3,2,1}
]&
\chordscheme[
name = Am7 ,
ring = {4,3,2,1}
]&
\chordscheme[
name = A\sharp ,
finger = {3/4,2/3,1/2,1/1},
]&
\chordscheme[
name = A\sharp 7 ,
finger = {1/4,2/3,1/2,1/1},
]&
\chordscheme[
name = A\sharp m ,
finger = {3/4,1/3,1/2,1/1},
]&
\chordscheme[
name = A\sharp m7 ,
barre = 1/1-4,
]
\\[4cm]
\chordscheme[
name = B ,
finger = {4/4,3/3,2/2,2/1},
]&
\chordscheme[
name = B7 ,
finger = {2/4,3/3,2/2,2/1},
]&
\chordscheme[
name = Bm ,
barre = 2/1-4,
finger = {4/4},
]&
\chordscheme[
name = Bm7 ,
barre = 2/1-4,
]&
\chordscheme[
name = C ,
finger = {3/1},
ring={4,3,2}
]&
\chordscheme[
name = C7 ,
finger = {1/1},
ring={4,3,2}
]&
\chordscheme[
name = Cm ,
finger = {3/3,3/2,3/1},
ring = {4}
]&
\chordscheme[
name = Cm7 ,
barre = 3/1-4,
]\\[4cm]
\chordscheme[
name = C\sharp ,
barre = 1/1-4,
finger = {4/1},
]&
\chordscheme[
name = C\sharp 7 ,
barre = 1/1-4,
finger = {2/1},
]&
\chordscheme[
name = C\sharp m ,
finger = {1/4,1/3,4/1},
ring={2}
]&
\chordscheme[
name =C\sharp m7,
finger = {1/4,1/3,2/1},
ring={2}
]&
\chordscheme[
name = D ,
finger = {2/4,2/3,2/2},
ring={1}
]&
\chordscheme[
name = D7,
barre = 2/1-4,
finger = {3/1},
]&
\chordscheme[
name = Dm ,
finger = {2/4,2/3,1/2},
ring = {1}
]&
\chordscheme[
name = Dm7 ,
finger = {2/4,2/3,1/2,3/1}
]\\[4cm]
\chordscheme[
name = D\sharp ,
finger = {3/3,3/2,1/1},
ring={4}
]&
\chordscheme[
name = D\sharp 7 ,
barre = 3/1-4,
finger = {4/1},
]&
\chordscheme[
name = D\sharp m ,
finger = {3/4,3/3,2/2,1/1},
]&
\chordscheme[
name =D\sharp m7,
finger = {3/4,3/3,2/2,4/1},
]&
\chordscheme[
name = E ,
finger = {1/4,4/3,2/1},
ring={2}
]&
\chordscheme[
name = E7 ,
finger = {1/4,2/3,2/1},
ring={2},
]
&
\chordscheme[
name = Em ,
finger = {4/3,3/2,2/1},
ring = {4}
]&
\chordscheme[
name = Em7 ,
finger = {2/3,2/1},
ring = {4,2}
]\\[4cm]
\chordscheme[
name = F ,
finger = {2/4,1/2},
ring={3,1}
]&
\chordscheme[
name = F7 ,
finger = {2/4,3/3,1/2,3/1},
]&
\chordscheme[
name = Fm ,
finger = {1/4,1/2,3/1},
ring={3}
]&
\chordscheme[
name = Fm7,
finger = {1/4,3/3,1/2,3/1},
]&
\chordscheme[
name = G ,
finger = {2/3,3/2,2/1},
ring={4}
]&
\chordscheme[
name = G7 ,
finger = {1/3,2/2,1/1},
ring={4},
]
&
\chordscheme[
name = Gm ,
finger = {2/3,3/2,1/1},
ring = {4}
]&
\chordscheme[
name = Gm7 ,
finger = {2/3,1/2,1/1},
]\\[4cm]
&
&
\chordscheme[
position = 2,
name = G\sharp ,
finger = {4/4,2/3,3/2,2/1},
]&
\chordscheme[
name = G\sharp 7,
finger = {1/4,3/3,2/2,3/1},
]&
\chordscheme[
name = G\sharp m ,
finger = {1/4,3/3,4/2,2/1},
]&
\chordscheme[
name = G\sharp m7 ,
finger = {1/4,3/3,2/2,2/1},
]
&&
\\[4cm]
\end{tabular}
\end{center}\vspace*{-3cm}
\begin{center}
\pgfornament[height=3cm,symmetry=h,ydelta=-40pt]{37}\hfill\huge\itshape Correspondance A/La, B/Si, C/Do,
D/Ré, E/Mi, F/Fa, G/Sol. \hfill \pgfornament[height=3cm,symmetry=h,ydelta=-40pt]{38}
\end{center}
\end{document}
LaTeX
\documentclass[a3paper,french]{article}
%\usepackage{fourier}
\usepackage{ebgaramond}
\usepackage{guitarchordschemes}
\usepackage[pagecolor=black!90!red!60]{pagecolor}
\usepackage{pgfornament}
\usepackage[margin=2cm]{geometry}
\usepackage{babel}
\let\oldsharp\sharp
\renewcommand\sharp{\scalebox{2}{\oldsharp}}
\begin{document}
\pagestyle{empty}
%{\Large $\Hflat$}
%$\phantom{\flat}$
\color{white}
\begin{center}\Huge\bfseries\fontsize{45pt}{76pt}\selectfont
\pgfornament[height=3cm,ydelta=-10pt]{31}\hfill \scshape Accords de Cigar Box \hfill\pgfornament[height=3cm,ydelta=-10pt]{32}
\end{center}
\vspace*{0.5cm}
\setchordscheme{
strings = 4,
chord-frets = 4 ,
tuning = {D,B,G,D},
rotate=270,
x-unit = 0.55cm,
y-unit = 0.83cm,
name-format = {\huge\bfseries},
name-distance = {0pt},
line-width = 2pt,
finger-radius = .25pt
}
\begin{center}
\begin{tabular}{cccccccc}
\chordscheme[
name = A ,
barre = 2/1-4
]&
\chordscheme[
name = A7 ,
position = 2,
barre = 1/1-4,
finger = {4/1},
]&
\chordscheme[
name = Am ,
finger = {2/4,2/3,1/2,2/1},
]&
\chordscheme[
name = Am7 ,
position = 5,
barre = 1/1-4,
finger = {3/4 }
]&
\chordscheme[
name = A\sharp ,
barre = 3/1-4,
]&
\chordscheme[
name = A\sharp 7 ,
finger = {3/4,3/3,3/2},
ring = {1}]&
\chordscheme[
name = A\sharp m ,
finger = {3/4,3/3,2/2,3/1},]&
\chordscheme[
name = A\sharp m7 ,
barre = 1/1-4,
finger = {3/4},
position = 6
]
\\[4cm]
\chordscheme[
name = B ,
position = 4,
barre = 1/1-4
]&
\chordscheme[
name = B7 ,
finger = {1/4,2/3,4/1},
ring = {2}
]&
\chordscheme[
name = Bm ,
position = 3,
finger = {2/4,2/3,1/2,2/1},
]&
\chordscheme[
name = Bm7 ,
position = 7,
barre = 1/1-4,
finger = {3/4}
]&
\chordscheme[
name = C ,
finger = {2/4,1/2,2/1},
ring={3}
]&
\chordscheme[
name = C7 ,
position = 5,
barre = 1/1-4,
finger = {4/1},
]&
\chordscheme[
name = Cm ,
finger = {1/4,1/2,1/1},
ring = {3}
]&
\chordscheme[
name = Cm7 ,
position = 8,
barre = 1/1-4,
finger = {3/4}
]\\[4cm]
\chordscheme[
name = C\sharp ,
finger = {3/4,1/3,2/2,3/1},
]&
\chordscheme[
name = C\sharp 7 ,
position = 6,
barre = 1/1-4,
finger = {4/1},
]&
\chordscheme[
name = C\sharp m ,
finger = {2/4,1/3,2/2,2/1},
]&
\chordscheme[
name =C\sharp m7,
position = 9,
barre = 1/1-4,
finger = {3/4}
]&
\chordscheme[
name = D ,
finger = {2/3,3/2,4/1},
ring={4}
]&
\chordscheme[
name = D7,
finger = {2/3,1/2,4/1},
ring={4}]
&
\chordscheme[
name = Dm ,
finger = {2/3,3/2,3/1},
ring = {4}
]&
\chordscheme[
name = Dm7 ,
finger = {2/3,1/2,3/1},
ring = {4}
]\\[4cm]
\chordscheme[
name = D\sharp ,
position = 3,
finger = {3/4,1/3,2/2,3/1},
]&
\chordscheme[
name = D\sharp 7 ,
position = 8,
barre = 1/1-4,
finger = {4/1},
]&
\chordscheme[
name = D\sharp m ,
finger = {4/4,3/3,4/2,4/1},
]&
\chordscheme[
name =D\sharp m7,
finger = {1/4,3/3,2/2,4/1},
]&
\chordscheme[
name = E ,
finger = {2/4,1/3,2/1},
ring={2}
]&
\chordscheme[
name = E7 ,
finger = {2/4,1/3},
ring={2,1},
]
&
\chordscheme[
name = Em ,
finger = {2/4,2/1},
ring = {3,2}
]&
\chordscheme[
name = Em7 ,
finger = {2/1},
ring = {4,3,2}
]\\[4cm]
\chordscheme[
name = F ,
finger = {3/4,2/3,1/2,3/1},
]&
\chordscheme[
name = F7 ,
finger = {3/4,2/3},
barre=1/1-2,
]&
\chordscheme[
name = Fm ,
finger = {3/4,1/3,1/2,3/1},
]&
\chordscheme[
name = Fm7,
barre = 1/1-4,
finger = {3/4},
]&
\chordscheme[
name = G ,
ring={4,3,2,1}
]&
\chordscheme[
name = G7 ,
finger = {3/1},
ring = {4,3,2}
]
&
\chordscheme[
name = Gm ,
finger = {2/3,2/2},
ring = {4,1}
]&
\chordscheme[
name = Gm7 ,
finger = {3/3,3/2,3/1},
ring = {4}
]\\[4cm]
&
&
\chordscheme[
name = G\sharp ,
barre = 1/1-4,
]&
\chordscheme[
name = G\sharp 7,
barre = 1/1-4,
finger = {4/1},
]&
\chordscheme[
name = G\sharp m ,
finger = {1/4,3/3,3/2,1/1},
]&
\chordscheme[
name = G\sharp m7 ,
finger = {1/4,3/3,3/2,3/1},
]
&&
\\[4cm]
\end{tabular}
\end{center}\vspace*{-3cm}
\begin{center}
\pgfornament[height=3cm,symmetry=h,ydelta=-40pt]{31}\hfill \Large \itshape Accordage type
banjo DGBD. Correspondance A/La, B/Si, C/Do, D/Ré, E/Mi, F/Fa, G/Sol.\hfill \pgfornament[height=3cm,symmetry=h,ydelta=-40pt]{32}
\end{center}
\end{document}
LaTeX